Album Review: Dan Jones - Zero Four Nine
Reviewed by Paul Hutchings
I knew nothing about Dan Jones when I picked ‘Zero Four Nine’ to review. A UK based guitarist with a leaning towards the blues and progressive rock, this album is solely performed by Jones except for the drums and base on the track ‘Sunrise’.
The album is fully instrumental with Jones demonstrating a fluid, relaxed style that carries a heavier edge that surfaces from time to time. ‘Stardust’ the second track here is case in point, with some fiery lead work mid-way through. There are plenty of gentler, bluesy songs as well, which allow you to drift into a separate universe as Jones’ crafted and polished compositions soak in. ‘Sunrise’ is one such track, a mellow meandering song that draws in influences as varied as classic rock, jazz and progressive music. It’s a pleasing mix.
The variation is wide, with the funky feel of ‘Space Time’ a total contrast to ‘Sunrise’. Although Jones main instrument is the guitar, his use of thick Hammond organ adds texture and layers which fatten the track nicely. ‘Rage A La Bona’ combines elements of King Crimson with a funk style, the keyboards once again adding neat touches to the track. There’s the progressive flavour of ‘Disclosure’, whilst he also brings the heavy with the rifftastic ‘Shattered’ which closes out the record.
His guitar playing is influenced by a wide range of musicians, as varied as Gilmour and Page, to Robben Ford and Larry Carlton and whilst he can rip out the solos for fun, this album isn’t awash with noodling virtuoso displays. There’s a more balanced and reserved approach which reaps rewards.
This is an enjoyable album from a musician who did his time over a decade ago with The Dreaming Tree from Wolverhampton. If you fancy a bit of instrumental rock music that provides a multitude of soundscapes, then this record is certainly worth checking out.
