Interview: Vreth from Finntroll
Interview: Vreth from Finntroll. Interviewed by CJ Claesson Don’t call it a comeback. After 7 years of touring and writing, the almighty Finntroll are back […]
Articles by CJ Claesson
Interview: Hakim from Dead Lord
Interview: Hakim from Dead Lord. Interviewed by CJ Claesson Swedish old school rockers Dead Lord have been turning it up to 11 around the world […]
Album Review: Texas Murder Crew – Everyones Last Breath
Album Review: Texas Murder Crew – Everyones Last Breath Reviewed by CJ Claesson They say everything is bigger in Texas, so why wouldn’t the slams […]
Album Review: Concrete – Free Us From Existence
Album Review: Concrete – Free Us From Existence Reviewed by CJ Claesson In an obscure interview from 2014, Concrete singer and lyricist Lenny Fletcher stated […]
Album Review: Black Crown Initiate – Violent Portraits of Doomed Escape
Album Review: Black Crown Initiate – Violent Portraits of Doomed Escape Reviewed by CJ Claesson By default, progressive death metal suggests dynamic songwriting qualities, as […]
Album Review: Imperial Triumphant – Alphaville
Album Review: Imperial Triumphant – Alphaville Reviewed by CJ Claesson Ever since their debut full-length record ‘Abominamentvm’ (2012), this godless New York City outfit have […]
Album Review: Kruelty – Immortal Nightmare
Album Review: Kruelty – Immortal Nightmare Reviewed by CJ Claesson Having formed in 2017 in Tokyo, Japan and despite their relatively short existence, Kruelty already […]
Interview: Andy of Black Crown Initiate
Interview: Andy of Black Crown Initiate. Interviewed by CJ Claesson It’s been almost 4 years to the day since the progressive death metal behemoth Black […]
Album Review: Black Altar / Kirkebrann – Deus Inversus
Album Review: Black Altar / Kirkebrann – Deus Inversus Reviewed by CJ Claesson Even if you’ve never heard of Black Altar or Kirkebrann (Norwegian for […]
Album Review: The Third Kind – Man vs Earth
Album Review: The Third Kind – Man vs Earth Reviewed by CJ Claesson Ok before I begin; already at the 1:05 mark in the opening […]